These pages contain all the references to Lararia, Aedicula, Niches, Sacrarium/Sacellum, and Lararium paintings, found inside these villas in Pompeii.
For some of these the actual purpose is unknown.
The individual locations identified on each item may contain further photos and details, you can see these by looking at the pompeiiinpictures pages in question.
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Villa
of Diomedes, Pompeii. May 2024.
East
wall at side of stairs, with lararium niche in upper wall with window below.
Photo courtesy of Klaus Heese.
According
to Boyce,
Just
to the right of the main entrance six steps lead down to the servants’
quarters, and in the wall beside this stair is a piccolo larario – apparently
only a niche, in which a statuette of Minerva was found.
See
Boyce G. K., 1937. Corpus of the Lararia
of Pompeii. Rome: MAAR 14, (p.97, no.476).
See
Giacobello, F., 2008. Larari Pompeiani: Iconografia e culto dei Lari in
ambito domestico. Milano: LED Edizioni, (p.221, no.3).
Villa of Diomedes, Pompeii. October 2023.
Room 5,18, looking east towards steps up to
peristyle, from end of corridor 5,12.
Photo courtesy of Klaus Heese.
HGW24 Pompeii. May
2010. Room in south-west corner of garden area, looking towards remaining east
wall.
According to Garcia
y Garcia, a bomb was dropped here during the night of 18th September 1943.
This bomb fell on
the south-west corner of the peristyle causing the destruction of part of the
wall south of the turret and the collapse of the rear slope. It was restored in 1946.
See Garcia y Garcia, L., 2006. Danni
di guerra a Pompei. Rome: L’Erma di Bretschneider. (p.160-1)
According to Boyce,
a small room opened off the south-west corner of the large portico surrounding
the garden.
This room had a
semi-circular niche in the east wall. The room was called a lararium in the
reports.
See Boyce G. K.,
1937. Corpus of the Lararia of Pompeii. Rome: MAAR 14. (p.97,
no.478).
(Villa Diomedes Project – area 86).
(Fontaine, room 5,2).
See Giacobello, F., 2008. Larari Pompeiani: Iconografia e culto dei Lari in ambito domestico. Milano: LED Edizioni, (p.221, no.3)
HGW25 Pompeii. September 2015. Looking west across room towards doorway to servants’ area.
In the background is the supporting arch of the east end of the upper terrace.
HGW25 Pompeii. September 2015.
Looking towards south-east corner and Lararium in south wall, with remains of a painted Fortuna with rudder and cornucopia.
No 67, 68 and 69 on the La Vega plan –
From PAH 1,1, p.272-3, 1st May 1773: (addendum p.129 and 159 – See transcript below at end of photos): (La Vega: 67, 68, 69).
After having worked for many weeks to lift the earth from around the rustic courtyard of the said dwelling, we have entirely freed two rooms near to the said courtyard. Although, these have very ordinary floors and everything poorly arranged, they are not worth mentioning having some ordinary paintings decorated with panels.
These (rooms) would have been used by the servants of the owners, because of the work-tools found used to cultivate the soil, and for cooking, and for the large quantity of ordinary vessels that there were, that is to say water-jugs, pots of many sorts which were well smoked, and carafes, many of which were found broken.
The entire things found in the indicated rooms were - (see page 273 for the list of the finds, Bronze, Glass, Terracotta)
In the entrance of the courtyard, there was a small room with the usual; and in a small niche of the same room, there was a painted Fortuna, as one could see by the rudder and the horn of plenty. Above this room, there was a partition with burnt straw, of which…. (della quale si son fatti prendere alcuni massi).
HGW25 Pompeii. 1991. Small room in north-west corner south wall.
Lararium niche with a painting of Fortuna with rudder and cornucopia. [Fontaine 7.5] La Vega 70?
According to Boyce –
“On the back wall of
a niche (Note 2 below) was painted the figure of Fortuna with cornucopia and
rudder”.
(Note 2 – Boyce says the location was most indefinite).
He quoted references – Helbig 74b; PAH, I, I, 273 (May 1, 1773).
See Boyce G. K., 1937. Corpus of the
Lararia of Pompeii. Rome: MAAR
14. (p.97, no.477).
HGE12 Pompeii.
December 2006. Looking east towards lararium.
HGE12 Pompeii. 1961.
Looking east towards lararium. Photo by Stanley A. Jashemski.
Source: The
Wilhelmina and Stanley A. Jashemski archive in the University of Maryland
Library, Special Collections (See collection page) and made available under the Creative
Commons Attribution-Non Commercial License v.4. See Licence and use details.
J61f0618
HGE12 Pompeii. Drawing of Sacrarium by Breton, 1855.
See Breton, Ernest. 1855. Pompeia,
decrite et dessine : Seconde édition. Paris : Baudry, p. 233.
HGE12 Pompeii.
December 2006. Lararium with altar, south and east wall.
According to Boyce,
in an open court was a sacrarium, apparently dedicated to Hercules and Bacchus.
Upon the yellow
background of the rear wall of a deep niche were painted the attributes of
Hercules – a large skyphos and a club.
In the pediment on
the wall above the niche was painted the figure of Bacchus, accompanied by two
flying cupids holding a wreath, one on each side of him.
See Boyce G. K.,
1937. Corpus of the Lararia of Pompeii.
Rome: MAAR 14. (p.97, no.479)
HGE12 Pompeii.
December 2006. Lararium with altar, east wall.
HGE12 Pompeii.
December 2006. North and east side of ceiling in lararium.
HGE12 Pompeii.
December 2006. Wall painting on east wall of lararium, above altar.
HGE12 Pompeii.
December 2006. Wall painting on east wall of lararium, above altar.
HGE12 Pompeii.
December 2006. Masonry podium, according to Boyce, this was the base for a
statue.
HGE12 Pompeii.
December 2006. Masonry altar (w.0.47, h.0.96) coated with stucco.
According to Boyce,
this was ornamented with figures in painted stucco relief on all sides.
On the front, a popa
held a knife in his right hand, and grasped a hog wearing a red girdle with his
left hand.
On the left side, a
skyphos stood on a reddish base.
On the right side, a
club leaning against a base could be seen.
On the rear, was a
cock.
See Boyce G. K.,
1937. Corpus of the Lararia of Pompeii.
Rome:
MAAR 14. (p.97, no.479)
See Fröhlich, T., 1991, Lararien und
Fassadenbilder in den Vesuvstädten. Mainz: von Zabern. (p.300, L112,
Taf. 48,2).
HGE12 Pompeii.
December 2006. Doorway to room on east side (right) of entrance to central
corridor.
HGE12 Pompeii.
December 2006. North-west corner of room to right of entrance to central
corridor.
HGE12 Pompeii.
December 2006. North-east corner of room, with niche. Was this the kitchen?
According to Boyce, in the kitchen was “un piccolo larario…..colla
pittura del genio del loco”.
He thought this was
probably a niche with a single serpent painted on the wall beside it.
See Boyce G. K.,
1937. Corpus of the Lararia of Pompeii. Rome: MAAR 14.
(p.97, no.480)
See Giacobello,
F., 2008. Larari Pompeiani: Iconografia e culto dei Lari in ambito
domestico. Milano: LED Edizioni, (p.221, no.2)
Villa of Mysteries,
Pompeii. Drawing of west and north walls of kitchen courtyard with remains of
painted lararium on right, by R. Oliva.
See Maiuri, A. (1967 ed). La Villa dei Misteri, (p.36-7)
Villa of Mysteries,
Pompeii. Drawing of north wall of kitchen courtyard with niche, altar and
remains of painted lararium, by R. Oliva.
See Maiuri, A. (1967 ed). La Villa
dei Misteri, (p.36-7).
Villa of Mysteries,
Pompeii. October 2023.
Room 61, kitchen
courtyard. North side with lararium niche and altar. Photo courtesy of Johannes
Eber.
Villa of Mysteries,
Pompeii. May 2006.
Room 61, niche (h.0.76,
w.0.80, d.0.28, h. above floor 1.40) in north wall, with remains of stucco
pediment above.
According to Boyce,
the small altar embedded in the floor of the niche, was decorated with an image
of a gorgon and two heads of bulls.
Two sculptured
heads, a terracotta one of a goddess and another of tufa representing Hercules,
(h.0.17) were found inside the niche.
See Boyce G. K.,
1937. Corpus of the Lararia of Pompeii.
Rome: MAAR 14. (p.97)
Villa of Mysteries,
Pompeii. May 2010. Room 61, north wall of kitchen courtyard near niche and
altar.
According to Boyce
in 1937, -
the last layer of
plaster had already fallen revealing an earlier layer beneath it, decorated
with a figure painting in red and yellow.
Maiuri concluded
that this was a fragment of the pre-Roman art of the house shrine.
When excavated, the
paintings were very poorly preserved, and had almost disappeared by 1937.
The following
description was written by De Petra in Notizie degli Scavi di Antichità, 1910,
p. 141:
“Below and to the
right of the niche is represented a procession made up of two horsemen, a crowd
of people and a tibicen who approaches the altar in the centre, coming from the
left.
To the right of the
same altar are a Camillus and a second figure.
A still more ancient
layer of plaster shows on the right of the niche a strange figure like a Lar
pouring from a rhyton of curious shape into a patera (?) held in the other
hand; on each side of him are garlands”.
See Boyce G. K., 1937. Corpus of
the Lararia of Pompeii. Rome: MAAR 14. (p.97)
See Maiuri, A. (1967 ed). La Villa
dei Misteri, 80, and fig. 32, (reference given in Boyce).
See Giacobello, F., 2008. Larari Pompeiani: Iconografia e culto dei Lari in ambito domestico. Milano: LED Edizioni, (p.220, no.1)
Villa of Mysteries,
Pompeii. May 2006. Masonry altar (0.71 by 0.45, h.0.90).
Villa of Mysteries, Pompeii. October 2023.
Room 61, west wall with hearth and oven, and remains of niche. Photo courtesy of Johannes Eber.
According to NdS, another niche lararium was above the podium of the hearth and oven.
The stucco had fallen and brought to light a part of an ancient painted lararium, for all its simplicity, not without interest.
At the side were the remains of a painted helmeted Minerva, and of another divinity, perhaps Vulcan.
See Notizie di Scavi, 1910, p.141-2.
According to Boyce –
In the east wall of the same courtyard, above the hearth, is a second rectangular niche (h.070, w.0.60, d.0.20) on the back wall of which De Petra saw painted the figures of Minerva armed with the helmet and of another divinity – perhaps Vulcan.
Reference Maiuri,
Villa dei Misteri, 81.
See Boyce G. K., 1937. Corpus of the Lararia of Pompeii. Rome: MAAR 14. (p.98, no. 482).
Villa of Mysteries, Pompeii. May 2010. Room 31, rustic room, looking west.
According to Boyce, in the west wall was a niche with a projecting shelf elaborately decorated with a frieze in stucco.
He assumed it was a lararium, even though when found it only had a few kitchen jars of coarse materials in it.
See Boyce G. K., 1937. Corpus of the Lararia of Pompeii. Rome: MAAR 14. (p. 98, no.483).
Villa of Mysteries, Pompeii. October 2023.
Room 26, at front, looking into room 25, apsidal hall at rear. Photo courtesy of Johannes Eber.
According to Boyce –
In a room opening off the north-west corner of large peristyle is a room of curious shape with an apse in the side opposite the entrance door, and four rectangular niches in the walls. It was undergoing renovation at the time of the eruption designed to make it a finer room that before.
Maiuri thought it may have been intended as a domestic Sacellum, and possibly would have housed the statue of Livia found nearby in the peristyle.
See Boyce G. K., 1937. Corpus
of the Lararia of Pompeii. Rome:
MAAR 14. (p. 98, no. 484).
See Maiuri, 1967 Ed. Villa dei Misteri, (76 and
fig.29).
Villa of Mysteries, Pompeii. February
2021.
Statue of Livia, found in peristyle of Villa
of Mysteries, on display in Antiquarium at VIII.1.4.
Photo courtesy of Fabien Bièvre-Perrin (CC
BY-NC-SA).
Villa of Mysteries, Pompeii. October 2023. Room 25, detail from west side of window. Photo courtesy of Johannes Eber.
Villa of Mysteries, Pompeii. October 2023. Room 25, looking north to window. Photo courtesy of Johannes Eber.
Villa of Mysteries, Pompeii. May 2010. Room 25, looking towards east side of apsidal hall, from room 26.
Villa of Mysteries, Pompeii. May 2010. Room 26, east side.
Terme di Marco Crasso Frugi. Torre Annunziata
Plaque found reused in the niche of a shrine in the Villa of Cicero at Pompeii.
Now in Naples Archaeological Museum. Inventory number 3829.
The inscription reads:
THERMAE
M. CRASSI FRVGI
AQVA MARINA ET BALN
AQVA DVLCI IANVARIVS L.
According to Epigraphik-Datenbank Clauss/Slaby (See www.manfredclauss.de) this reads
Thermae
M(arci) Crassi
Frugi
aqua marina et
baln(ea)
aqua dulci
Ianuarius l(ibertus) [CIL X 1063 (p
967) = D 05724]
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